“Vintage baseball photographs express (their) times through the language of memorable images, just as the game itself has impressed its fans with memorable images for the mind memories of good times and great moments, of happy youth and legendary heroes.”
Marshall Fogel
At the outset of this story on collecting vintage baseball photographs,
let us take a few moments to digress and reflect on a sports memorabilia
collector’s ultimate dream:
While attending a recent card show our dreaming collector spotted a
“2006 Topps Series 1 Baseball Cards Hobby Box” on a dealer’s
table. As he lifted the lid of the box a genie, who looked just like
Victoria’s Secret supermodel Heidi Klum, materialized and granted the
collector one wish, with the caveat that it be in relation to his hobby.
Without hesitation, the collector asked to travel back in time to 1909.
For his journey back to the dawn of the Twentieth Century, the
collector made sure he had stashed his pockets with a few hundred dollars in
cash and then double checked with the gorgeous genie that his destination would
be the American Tobacco Company in Durham, North Carolina.
Once back in time, our dreamer’s plan was to walk into the
cigarette manufacturer’s lobby, ask to speak to the company’s
owner, and then flash his wad of cash in the guy’s face saying he was
prepared to shell out this small fortune in return for a couple dozen of those
fresh-off-the-press Honus Wagner T-206 cards they planned on inserting in packs
of their Sweet Caporal cigarettes.
After hearing the time traveler’s request, the savvy cigarette
magnate quickly excused himself, tracked down the employee who handled the card
inserts, told him to grab a stack of Honus Wagner cards and get them back to
his office on the double. “I’ve got this crazy guy in my office who
is only asking for a couple dozen of ‘em,” the tobacco mucky muck
said. “But the nut just put $300 bucks on my desk, so get him a couple
hundred of those cards will ya.”
With the transaction complete, the big cheese then leaned back in his
chair and flipped through the crisp bills. “What a rube,” he
chuckled to himself as the collector returned to the future with his precious
stack of mint condition T-206 Wagner cards. “If only he knew that Wagner
is making a stink about us using his picture on those cards, so we’ll
probably just end up throwing the worthless things away.”
The reason telling the story of that dream is because it serves as an
allegory for the real-life sports collector who has mentally kicked himself a
million times over with thoughts that begin with “If only I had
known
” and who constantly asks himself and others
“What will the next big thing be in the sports collecting world?”
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To answer that question, one no longer has to simply wonder what the
next hot collectible may be, nor dream about going back in time armed with
current day knowledge. The answer can be found by simply opening the pages of A
Portrait of Baseball Photography (MastroNet, Inc., 2005) and, by doing so,
releasing a duo of genies who are more than happy to offer up what they believe
is the answer vintage baseball photos.
The prognosticating duo that teamed up to research and write this
fascinating and educational book are two of the most widely respected names in
the sports collectables world Marshall Fogel and Henry Yee. And, more
importantly than just playing the role of genies popping out of the pages of a
book to spread the word about what they believe will be the next boom in the
collectibles market, they are also diligently dedicated to the job of
standardizing the genre and better educating collectors.
Fogel, whose baseball memorabilia collection is considered to be one of
the finest and most significant private collections in existence, is a former
deputy district attorney in Denver, CO. Today, along with serving as a goodwill
ambassador for the sports memorabilia hobby and occasionally writing feature
articles for Sport Market Report, he is a senior law partner in a firm that
specializes in personal injury and worker’s compensation. He is also the
co-author of MastroNet’s Reference and Price Guide for Collecting Game
Used Baseball Bats that was published in 2001.
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Having first garnered interest in vintage baseball photos by starting to
collect panoramas in the early 1990s, Fogel really got bitten by the photo bug
in 1994 when he purchased an original Lou Gherig photo from Bill Mastro for
$4,000. “There was no competition or knowledge about vintage photos back
then,” Fogel explained. “But I kept on buying them and did all I
could to learn about their history. No one could deter me from collecting them
despite the fact that no one else had any interest in them.”
Yee, who has been a major collector and respected dealer of sports
memorabilia for over two decades, is the owner of HY Ventures, LLC and operates
Hyee Auctions on eBay. Along with his own voluminous collection of vintage
photos, he has handled well over a million news photographs from public and
private collections and has amassed one of the largest collections of news
stamping style specimens in the world.
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A graduate of the University of Buffalo’s Business School of
Management, Yee worked on Wall Street for many years where he specialized in
organizational development, business systems management, and information
technology. “The market for vintage photographs has exploded the last ten
years,” Yee said. “But there is a great lack of knowledge among
many collectors and even dealers about what is an original image and what is a
later reproduction. The photography field’s traditional use of the
phrases, ‘first generation’ and ‘second generation,’ is
not adequate for today’s marketplace. You also have to take into
consideration the factor of when the print was made.”
Together, this dynamic duo will undoubtedly be unanimous, first-round,
slam-dunk inductees into the Sports Memorabilia Collectors Hall of Fame (just
as soon as someone establishes one). They embody everything that is right
within the hobby and business because they embrace what they do with great
passion and are obsessed with sharing their wealth of knowledge and
understanding with others to bring standardization and continued strength to
the sports collecting world. That desire, to pass on their passion, knowledge
and understanding, is clearly evident on every page of their book which is
destined to do for vintage sports photos what grading and registries did for
cards.
While vintage baseball photos have been stirring up more than a fair
amount of interest for some time, many collectors have been reluctant to get
involved with purchasing them due to the confusion, complexities, and lack of a
universally accepted standard on quality, condition and value. While
autographs, cards, game-used items and other sports memorabilia have matured to
a point that collectors and dealers can employ historical perspectives,
exceptionally well-defined guidelines, and current day market values, photos
have remained a minefield of ambiguous values with no universally recognized
standards.
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Unlike cards, photos do not come in numbered sets. There are no major
manufacturers or production runs that can be looked to for historical
information. There are also no price guides or grading standards. This means
that buyers and sellers alike have been flying blind when it comes to vintage
photos. Misinformation and somewhat educated guesses have been guiding this
genre of ever-increasing interest since photos began slowly working their way
into the collectibles market. As the interest and desire for these images has
continued to grow, it was only a matter of time before someone stepped up to
the plate to weed through the misconceptions, compile definitive data based on
solid research, and present those findings.
Fogel and Yee have done just that with A Portrait of Baseball
Photography which, as a part of MastroNet’s Vintage Guide series, is the
first comprehensive account of vintage baseball photographs ever compiled and
published. While the book has been written and designed to be technical in
nature, it will be of equal interest to anyone who is fascinated with the
inception and evolution of photography, newsgathering, and photojournalism. A
“must-have” for both the novice and well-seasoned photo collector,
it is chock full of the most valuable information available to assist in making
informed and knowledgeable decisions in the purchasing and selling of vintage
photos. “Henry Yee and I have been working on this project for
years,” said Fogel. “He had information I didn’t have, and I
had information he didn’t have. So our working together has resulted in a
book that will be of tremendous benefit to collectors.”
According to MastroNet president, Doug Allen, the concept behind
creating their series of Vintage Guides was a simple one. “As the leading
sports and Americana auction house, we knew we had the necessary knowledge and
expertise, as well as access to the most phenomenal vintage sports memorabilia
in the world,” said Allen. “As a result, we felt a deep
responsibility to share it with the (collectors) who have been so instrumental
in our success.”
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In the same vein as Fogel’s Vintage Guide that explored game-used
bats, A Portrait of Baseball Photography, will assuredly play a significant
role in advancing the area of the emerging interest in vintage photos.
“Photography is the next big thing in sports memorabilia,” said
Allen. “You can see it everywhere, but most obviously in consistently
rising auction prices. Inside (the) pages (of this book) lie the insight,
information and intuition necessary to evaluate which pictures are really worth
a thousand words, or perhaps thousands of dollars, and which ones may not make
the cut. In short, this guide is more than educational, it’s enjoyable.
Just like we think collecting should be.”
Presented in a three-part format, the tome begins with the basics of
collecting vintage photos, which covers how to get started and how to define
and accurately date news and wire photos. This section also gives insight on
photos from magazines as well as television press photos; movie publicity
photos, team photos and even amateur snapshots that have been taken by fans or
that were a part of a player’s personal collection or estate.
Perhaps, the most important information that is imparted in this section
is Fogel and Yee’s establishment of an innovative classification system
that categorizes photographs, not only baseball-related, but from all genres,
as either Type I, Type II, Type III, or Type IV, depending on originality,
development process, and publication date. It is a certainty that these
categorizations will be the cornerstone on which the future standardization of
vintage photography will be built.
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The second part of the book deals with the history and stamping records
of news picture services. Based on 15 years of exhaustive stamp analysis on
more than a million photographs, this is the first time a publication has
offered comprehensive information and education on how to accurately determine
the date of a given photograph based on the stampings alone.
The final part of the book shifts focus from product to producer, paying
homage to the photographers to whom the book is dedicated. From the early
pioneers to the post-war image-catchers, the authors showcase the men who made
immeasurable contributions to America’s Pastime, photojournalism, and
now, to an exciting new wave of collecting. Along with presenting newly
discovered biographical information on these men, the section goes further,
exploring their techniques, offering a gallery of their images, and, in some
cases, providing the first pictures ever published of these men who worked
behind the camera’s lens.
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A book of this nature could not be more timely and necessary, what with
the increase in interest, and the dramatic upward movement in price that photos
have been realizing in the retail market and at auctions. Recognizing that
fact, this past January, PSA/DNA, a division of Collectors Universe, Inc.,
partnered with Fogel and Yee to assist collectors and dealers with the
company’s newest service of providing vintage photograph authentication.
Submitted photos will be authenticated and certified by PSA/DNA based on Fogel
and Yee’s innovative classification system that is explained in detail in
their book and also on PSA/DNA’s Web site (www.psadna.com).
PSA/DNA President Joe Orlando said he is thrilled to once again be
breaking new ground to enhance and strengthen the sports collectibles market.
“The popularity of old photographs is certainly increasing, but many
collectors frankly don’t know exactly what they’re buying,”
Orlando said. “Is it a first generation photo made directly from the
original negative soon after the picture was taken or was it developed from the
negative decades later, or maybe it’s a second generation reprint not
directly from the original negative? These confusing factors all affect the
value of the photo, and the new PSA/DNA photograph authentication services will
help ensure buyers get what they pay for.”
Fogel believes that while the interest in vintage photos is heating up
at a rapid pace, the genre is really still in its early stages. “It is
clearly in its infancy,” he said. “It will take a bit more time to
see what values are determined by competitive bidding. Then, as time goes by,
supply and demand will establish values just like it has with cards.”
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As for what he believes will be the most desired photos he
recommends you look to the cards for answers. “The factors that will
determine a photographs desirability will be very much the same as it is with
cards players, condition and rarity will be the key factors. Then you
will have to consider who took the photo, the content, the processing and
paper. All of those things will be factors, but just like with cards, players
will always be key. A Joe Jackson photo recently sold for $13,000. As far as
what other photos will be in demand again, look to cards Wagner,
Ruth, Gherig, Mantle, Jackie Robinson.”
While Fogel believes there will also be a future market for vintage
football, basketball and boxing photos, he again points to the card market to
determine the direction in which the highest interest will grow. “Photos
from every major sport will have some appeal, but as it is with cards,
autographs, and game-used equipment, baseball will always be the most
desired.”
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As for their new assignments with PSA/DNA, Fogel said that both he and
Yee are extremely excited to be of service. “Henry and I are the real
experts in the field of photos,” Fogel opined. “There are others
who have developed some expertise, but we’ve been there from the start.
We have worked with a lot of photography experts to develop what we hope will
become a universal standard. Working with PSA/DNA, we will build that standard
to give collectors a methodology, understanding and knowledge to protect them
from fraud.”
Fogel believes that as collectors become better versed on photos the
desirability will skyrocket. “People don’t collect what they
don’t understand and photos are very difficult to authenticate,” he
said. “With a card we all know what a 7, 8 or 9 looks like. With photos
it is much more complicated. We wanted to build consensus among professional
conservators while having a system that is easy for collectors to understand.
That’s the key in helping collectors and dealers understand what they
have. We will also someday establish a price guide, different from a card price
guide, but one that will be just as clear and easy to understand so that
collectors really understand what they have.”
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Fogel recommended that collectors should begin taking vintage photos
very seriously and learn all they can about them. “The first thing to do
it read our book and learn the language. Then educate yourself and ask
questions of those who are knowledgeable. Keep a close eye on the marketplace.
Get all the catalogues from the main auction houses and keep a log of what is
selling and how much it is selling for. I tell everyone this is like being
given an offer to buy stock in Google before anyone knew what it was,” he
said with a laugh. “This is a chance to get in on the ground floor of a
field in colleting that is nowhere near being mature. There are photos out
there that have not been discovered as of yet, and even now there are far more
photos than cards. As the interest in photos grows it will bring more people
into collecting. For those who are already collecting it will offer a great
diversification. If you have a certain favorite player’s card you also
want a ball signed by them, one of their game-used bats, a uniform, and, an
original photograph of them. There is a lot of money to be made for someone who
really takes the time to learn all they can about this stuff.”
So, when it comes to answering the question on what the next big thing may be, the genie is most definitely out of the bottle. And while neither Fogel nor Yee can hold a candle to Heidi Klum from a physical standpoint, there just may come a time, in the not-to-distant-future, when the collectors who have heeded their advice may find them to be just as incredibly beautiful.
Copyright © 2008 PSA – A Division of Collectors Universe. Nasdaq: CLCT. All rights reserved.






















